For nearly everybody who has come to the Cannes Film Festival after months in various stages of lockdown and caution, the transition is head – spinning.
Even in normal years, Cannes is an onslaught. But this time, plunging into full – capacity theaters and temming red carpets is like stepping into another world. The morning after the Val Kilmer docimentary ‘Val’ premiered at Cannes, its co – director Ting Poo was stilll reeling.
‘Yesterday was so surreal. Just seeing the film with a full theater, and here at the most prestigious film festival’, siad Poo. ‘To go from not being around people to that experience in a day was incredible’.
The pandemic is far drom invisible at Cannes. A negative COVID-19 test is required every 48 hours for even those vaccinated – unless they got their shots in European Union. Movigoers wear masks indoors. Everything is a little muted. Usually well – booked hotels have vacines. Screenings that would typically leave hundreds queueing outside don’t fill up. The usual tuzedoed ticket – seekers praying for a handout have been pushed away from the Palais, the festival hub, to clear space.
But in places like the Cannes red carpet, life is almost normal – if ‘normal’ can ever apply to a stretch of carpet where coteries of stars drift in every few hours like parade floats. Glamour has been unmasked, maybe more than any other time in the year and a half of pandemic.
Over the first few days of the 74th Cannes Film Festival – held two months later than usual, and after last year’s edition was scrubbed entirely – the red carpet has looked much as it has always before. Marion Cotillard, Bella Hadid, Matt Dammon, Helen Mirren and Adam Driver have all strolled along, though they may have all been outclassed, fashion – wise, by Spike Lee and his flamingo – pink Louis Vuitton suit. Most walk unmasked, as the carpet is outdoors and most attending are vaccinated – though proof isn’t required. And there are no fewer photographers than usual jockeying for stars’ attention.
The spectacle has picked up right where it left off. Nature, even the Cannes sequined variety, is healing.
‘It’s a little bit like a strange dream, like waking up from this nap of two years doing nothing and suddenly: Boon”, said Avshalom Polla, star of Nadav Lapid’s ‘Ahed’s Knee’, an impassioned Israeli drama competing for the Palme d’Or. ‘There is a very particular kind of feeling to it because it’s like: Whereis the world going? Is it restarting? Is it changing? What’s going on here?’
Cannes is taking place on the heels of France easing COVID-19 restrictions and reopening international travel. About hald the French have received at least one vaccination shot, while 38% are fully vaccinated. But the Delta variant has pushed infections back up slightly recently, stoking fears of a resurgence. On Friday, French Health Minister Oliver Veran said the Delta Variant would likely become France’s dominant strain this weekend.
That, along with omages of unmasked attendees at premieres, has pushed the festival to increase pre – screening mask reminers. Swarming beachside after parties have been curtailed, in the hotels along the Croisette film publicists and executives have pushed their chairs out onto open – air balconiers. Cannes mayor David Lisnard has even employed a pair of COVID – 19 – sniffing dogs to help with screening.
Ahead of the festival, its director Thierry Fremauz said dinners would be more favored this year than cocktails. On the sun – dabbled French Riviera, most restaurants are spread out on the sidewalks. One major concession: Fremauz isn’t greeting guest at the top of the Palais stairs with a kiss – though there have been a few snooches.
‘The pandemic is not conquered’, Fremaux said on Tuesday. ‘So We all have to be careful, even though most festival – goers are vaccinated’.