Are they an accessory? Or armor? Either way, the style is having a moment.
In the Marvel superhero flick Black Panther, the kingdom of Wakanda’s fiercest warriors are all women. The group, known as the Dora Milaje, are characterized by their red and gold outfits, for which veteran costume designer Ruth E. Carter took inspiration from the Turkana and Maasai cultures of Kenya. Reinforcing their battle gear were stacked neck rings and matching cuffs by designer Douriean Fletcher that call to mind the Ndebele women of South Africa. There is Wonder Woman, a master at haranessing the potential of cuffs – hers repel bullets, after all. In the latest installment of her franchise, Wonder Woman 1984, Gal Gadot doesn’t just sport cuffs for protection on the job, she also incorporates the power piece intoher off – duty look, in the form of – what else? – Elsa Peretti’s Bone cuff.
It’s hardly a coincidence, then, that as we prepare for the transition back to IRL socializing, cuffs are enjoying a renaissance. See: the Spring/Summer runways of Chanel, Louis Vuitton, and Chlow. Jewelers too are hardling the comeback with stylish new designs, some decorated with colorful gems, others studded with sleek black diamonds.
Call them armor for stepping out into the world again, or symbolic expression of libertation (at least), or maybe it’s just a simple desire to feel sexy and invincible. Or, better yet, all of the above/ ‘Cuffs are an unapologetic style statement’, says Nico Landrigan, president of Verdura. ‘I see them as a wink and not to what has come before. They’re the incongraphy of female power‘.
The ancient Egyptians, Greeks and Romans brandished cuffs as staturs markers and talismans of protection. Centuries later, Coco Chanel showed her inimitable independent streak by taking apart the jewels she received from her lovers, among them Russia’s Grand Duke Dimitri, and asking her friend Fulco di Verdura to create something new. So was born Verdura’s iconic Maltese cross cuffs, which Chanel wore everywhere, from beack to black tie, always as a pair and most certainly as constant reminders of her self – determination. Even her equally singular contemporaries, like Nancy Cunard, Millicent Rogers, and Helena Rubinstein, rarely left their wrists bare.
Cuffs were also Buccellati’s best – sellers, according to patriarch Andrea Buccellati, who continues to create new renditions of the house signature. ‘When I draw cuff bracelets, I have the possibility to express all the fundamental concepts of the maison’s workmanship’, he says. ‘The surfaces are wide, so I can combine openwork and tulle techniques with the engraving, and play with colored stones’.
Not surprinsingly, the last major cuff rivival took place in the 1970s, another time defined by liberation, when they become inextricably linked to the feminist movement. Van Cleef & Arpels, for example, created a series of handweought cuffs in gold that were favored by Jackie Onassis. But it was Elsa Peretti who really captured the essence of the era with the sensuous, sculptural Bone cuff that she designed for Tiffany & Co. It embodied the ’70s spirit with a minimalist form that molded to the curves of the wrist. For the collection’s 50th anniversary last year, Tiffany released new models, including sterling silver, gold, and cooper iterations studded with stones of turquoise, jade, and obsidian. ‘The Bone cuff is indicative os such a strong sense of style’, says celebrity stylist Karla Welch, who accessorized Tracee Ellis Ross with a gold pair for the NAACP Image Awards in March.
In other words, this summer the message is clear: Cuffs will be key emblems of post – pandemic freedom, especially when worn as a set.